A brief summary on the Greek goddess Aphrodite.
Aphrodite, according to Greek mythology, was the goddess of sexual love and beauty and was identified in the Roman Empire with Venus. Because the Greek word aphro means “foam”, the legend arose that Aphrodite was born from the white foam produced by the severed genitals of Uranus, after his son Cronus threw them into the sea. Aphrodite was, in fact, widely worshiped as a goddess of the sea and of seafaring; she was also honored as a goddess of war, especially at Sparta, Thebes, Cyprus and other places. Aphrodite was, however, primarily a goddess of love and fertility and even occasionally presided over marriage. Although prostitutes considered Aphrodite their patron, her public cult was generally solemn and even austere.
Many scholars believe Aphrodite’s worship came to Greece from the East, and many of her characteristics must be considered Semitic. Although Homer called her a Cyprian after the island chiefly famed for her worship, she was hellenized by the time of Homer, and, according to Homer, she was the daughter of Zeus and Dione, his consort at Dodona. In the Odyssey, Aphrodite was mismatched with Hephaestus, the lame smith god, and she consequently spent her time philandering with the handsome god of war, Ares.
Of Aphrodite’s mortal lovers, the most important were the Trojan shepherd Anchises, by whom she became the mother of Aeneas, and the handsome young Adonis, who was killed by a boar while hunting and was lamented by women at the festival of Adonia. The cult of Adonis had underworld features, and Aphrodite was also connected with the dead at Delphi.
Aphrodite’s main centers of worship were at Paphos and Amathus on Cyprus and on the island of Cythera, a Minoan colony, where cult probably originated in prehistoric times. On the Greek mainland Corinth was the chief center of her worship. Her close association with Eros, the Graces and the Horae emphasized her role as a promoter of fertility. She was universally honored as the Genetrix, the creative element in the world. Her epithets Urania and Pandemos were incorrectly taken by philosopher Plato to refer to intellectual and common love; rather, the title Urania was honorific and applied to certain Oriental deities, while Pandemos referred to her standing within the city-state. Among her symbols were the dove, pomegranate, swan and myrtle.
Early Greek art represented Aphrodite either as the Oriental nude-goddess type or as a standing or seated similar to all other goddesses. Aphrodite first attained individuality at the hands of the great 5th century BC Greek sculptors. Perhaps the most famous of all statues of Aphrodite was carved by Praxiteles for the Cnidians; it later became the model for such Hellenistic masterpieces as the Venus de Milo.