Fiction Author Cutting Ties with Traditional Book Publishers
The electronic book publishing industry brings potential for writers, but it also raises the hackles of some in the traditional book publishing industry. Can one author stand against an entire industry? Maybe. Maybe not. But author J.A. Konrath is giving it a go. And truly, he’s not alone.
Until a couple of years ago, I had been a newspaper journalist. Then in a matter of a year or two, I watched my career vanish before my eyes. The newspaper industry as a whole has been in decline for decades, but the ball has definitely been rolling downhill the last few years.
Now, over the last year or so, I’m hearing many of the same grumblings in the book publishing industry that I used to hear in the newspaper industry. No one is reading anymore. None of the publishers are making any money. Technology, mainly through the Internet and e-book readers, is destroying the publishing industry.
There’s probably some truth to all that, but I don’t think the major traditional book publishers are going to keel over and die anytime soon. Maybe in the next 20 years, but time will tell. Meanwhile, someone somewhere is making money from print books; there’s just too many book stores and online purchases to deny this. Still, books in electronic form have made and are continuing to make major headway into the publishing industry.
So much so that lately there’s another front in the conflict between traditional book publishing and electronic publishing. Some writers, even some known writers, are turning away from the traditional publishers and going it on their own.
The biggest brouhaha has been brought about by author J.A. Konrath, probably best known for his Jack Daniels police procedural series of novels and his horror fiction. Konrath has been in the public eye for at least a half dozen years now as an author, his first traditionally published novel having been Whiskey Sour in 2004.
Since then Konrath has gone on to have about a half dozen novels published in print. He has also become known for his blog about publishing, A Newbie’s Guide to Publishing, and the extremes he has gone to to promote his work, including mailing 7,000 letters to libraries and personally visiting more than 600 book stores in 28 states in one year.
Konrath has also become known for being outspoken of his opinions concerning the publishing industry. On his blog he has stated “I love print publishers. But the traditional publishing industry is flawed, and I don’t see any signs it will be fixed anytime soon.”
Those flaws seem to have driven him away entirely from traditional book publishers. Konrath has announced, after years of working with traditional publishers, he will now go it alone without the industry. Barring a handful of books he is contractually obligated to provide publishers, his future in publishing is now turning toward Amazon’s Kindle. Konrath has announced his upcoming novels will be published electronically first on the Kindle and at Smashwords for other ebook readers, then will be made available in print through Amazon’s CreateSpace program.
Why would an author do this? The more important question might be, Why not? Konrath claims to have sold nearly 47,000 ebooks through Amazon over the last 13 months, the best-selling of the lot being his novel The List, which was never excepted for print publication by a traditional book publisher.
In other words, a professional author is making money without a print publisher. Will this lead to a trend of more authors dumping print publishers for electronic publication? It just might. If an author is able to bring in readers without taking a cut in potential earnings from publishers (and possibly even literary agents), it’s possible more authors will go this route.
Konrath’s outspokenness on his own publishing venture, and his recent announcement of dropping traditional print publishers, has drawn attention. An article recently in Publishers Weekly sought opinions from literary agents concerning Konrath’s actions and words; some responses were negative while others not so much, but Konrath himself on his blog took exception to the article’s tone, calling it an “epic fail” and then going on to outline the article’s possible failings.
And readers and writers are paying attention. Hundreds have commented on Konrath’s blog, some urging on his success, some not.
On a related note, Garrison Keillor recently wrote an article for The Baltimore Sun titled “When everyone’s a writer, no one is.” The headline isn’t completely accurate to the article’s subject matter, but Keillor is not likely to blame as columnists don’t always have a say in the title to their articles. Keillor does go on about some of the positive aspects of self-publishing, but more than anything he laments the days when writers used a typewriter, mailed off their manuscripts and got paid for them. He calls it “the Old Era.”
For good or ill, it seems the Old Era has passed. Electronic publishing seems here to stay, and it’s changing the face of the publishing industry one book at a time.
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I think that print on demand is the future of the printed book industry.
I still love printed books. It is so much better reading them and
I love the feel of it. But I don’t see with the right marketing, an
author can’t have the best of both worlds.
I still read printed books they are easier to take to work to read at lunch, in bed or on an airplane. I can even read my book while waiting to take off. In April after months of trying I finally sold my children’s book to a traditional publisher. It will be in print in about nine months. Good read.
I think one of the reason’s Konrath has done so well in self-publishing at Amazon’s site is largely because of being a best-seller going into the medium. For those of us that don’t have a NY Times best-selling book on our resume, I sure hope we can get more than the $1.75 income discussed in Keillor’s article.
annaleeblysse, I believe there’s more than a little truth to what you’re saying. Konrath did a ton of self-promotions work to get where he is today, but it definitely didn’t hurt that a print publisher picked up his books and he’s done rather well at it.