To Kill a Mockingbird – Chapters 28, Chapter 29, Chapter 30, Chapter 31, Summary and Analysis

Summary: Chapter 28

It’s dark on the way to school, Cecil Jacobs jumps out and scares Jem and Scout. Scout and Cecil wander crowded school, visiting a haunted house in the seventh grade classroom and buying homemade sweets. The procession nearing the start and the kids behind the scenes. Scout has not slept, and therefore lacks the entrance. She runs to the scene at the end, which led Judge Taylor and many others to rozosmiala. Female escorts in charge accuses Scout of destroying it. Scout is so ashamed that she and Jem wait backstage until the crowd is gone before they make their way home.

  
On the walk back home, Jem hears noises behind him and Scout. He thinks it must be Cecil Jacobs trying to frighten again, but when called on him to not hear the answer. They are almost on the road when their pursuer will run after them. Jem screams for Scout to run, but in the dark, hampered her costume, she loses balance and falls. Something tears at the metal mesh, and she hears struggling behind. Jem then manage to free Scout and extends almost to the road before their assailant pulls back. Scout hears crunching sound and Jem screams as she runs to him and grabbed and squeezed. Suddenly she started forward. Once the sound stopped fighting, Scout feels on the ground Jem, finding only the prone figure unshaven man smelling of whiskey. She he stumbles toward home, and sees the light of the street, a man carrying Jem to his house.

Scout gets home, and Aunt Alexandra is calling Dr. Reynolds. Atticus calls Heck Tate and I told him that someone attacked his children. Alexandra removes Scout costume, and tells her that Jem is only unconscious, not dead. Dr. Reynolds then comes in and goes into Jem rooms. When it occurs, inform the Scout that Jem has a broken hand and blow on the head, but that would be fine.Scout goes to see Jem. The man who carried him home in a room, but does not know it. Heck Tate appears and tells Atticus that Bob Ewell is located under a tree, dead with a knife in his hand tucked under the ribs.

Summary: Chapter 29

As Scout says all, what he heard and saw, Heck Tate shows her costume with a trademark, of where a knife was arrested sekol wire. When Scout gets to a point in the story where Jem picked up and carried home, the man turns the corner and really looking at him first. It is bright, torn clothes and a thin, colorless, slightly pale face eyes. She realizes that Boo Radley.

Summary: Chapter 30

Boo is Scout “Mr. Arthur” down on the porch and they sit in the shade listening to Atticus and Heck Tate argue. Heck insists on calling the death an accident, but Atticus on the assumption that Jem killed Bob Ewell, does not want his son protected by law.Heck corrects him, Ewell fell on his knife, Jem did not kill him. Although he knows that Boo is the one who stabbed Ewell, Heck wants to hush up the matter with the fact that Boo does not need to bring to the attention surrounding his door. Tom Robinson died for no reason, he says, and is now a dead man replied: “Let the dead bury their dead.”

Summary: Chapter 31

Atticus was right. He once said, you never know until you are standing in his skin and walk in them. Just standing on the Radley porch was enough.
(See Important Quotations Explained)
Scout up to say goodbye to Boo, and Jem walk him home. He goes to his house and never see him again. But only for a moment, imagining the world from his perspective. Returns home and finds Atticus sitting in a room is Jem. He reads one of Jem books to her until fall asleep.

Lee fills the evening accompanied with elements of foreshadowing, the idea that the grip Aunt Alexandra just before Jem and Scout leave the house, the sinister, dark night Cecil Jacobs trying to frighten. The procession itself is fun to see the small town pride, as the lady in charge of spending thirty minutes describing the use Colonel Maycomb, founder of the city, for the audience. In addition, the reader can imagine the comic procession of meat and vegetables over the stage, with the Scout, as above, rushed after them reve audience laughing. In this way, as at the beginning of snow, fire, and arrogant dog, accompanied on the night of covers as a gothic novel by a motif of small town life that balances it.

Mood mounting tension marks Jem and Scout walk home. He hears the sound of their persecutors, and assume that it is Cecil Jacobs, only to realize fairly quickly that they are in mortal danger. The attack is all the more terrifying because Jem and Scout are vulnerable: they are very close to their homes in the area, which suggest that it is safe, and Scout, in his ridiculous costume, has no idea what was happening. Although Lee has spent much time Ewell herald the impending attack on the pinky, it manages to stage a surprise attack. All tracks in the novel to this point suggested that Ewell would attack Atticus, not children. But, as we realize in this scene, cowardly Ewell would never have the courage to attack the best shot in Maycomb County, the insidious and dangerous attack on the children, shows how nasty a person. In this way, Lee diversionary technique leads the reader to suspect that the Ewell Atticus is a victim of this scene is also surprising to the reader a revealing nature.

Boo Radley entrance takes place in thick battle, and Scout does not realize that its reclusive neighbor is saved until a home. “Some fellow” Even then it is expected that it will be a failure of recognition symbolizes the inability of Scout and other children across the novel, see Boo as a human being, treating him instead as a source of childhood ghost stories. As its name suggests, Boo is the kind of spirit, but this situation has less to do with his appearance out of nowhere on Halloween than with Scout is a hollow understanding of him. When Scout finally realizes who saved her, but Boo Boo the childhood phantom man: “His lips into a shy smile, and our neighbor is the image blurred with my sudden tears.” Hey, Boo, “I said.” With this sentence, Scout The first of two major steps in this section to complete the development of its character, and assuming that adult moral perspective that Atticus showed his entire book.

Heck Tate decision to spare Boo the horror of publicity that Bob Ewell fell on his knife, gives the book’s title and its main theme the last time, as Scout says Boo to expose the public eye would be “shooting something like” Mockingbird. “He has not only appropriated the words , Atticus, but also his views, when suddenly he sees the world through the eyes Boo. At this moment of understanding and sympathy, Scout has his second big step towards adults morally. The reader gets the feeling that all previous Scout experience led her to enrichment of this moment and Scout will be able to grow up without their experience of evil destroy her faith in goodness. Not only did Boo with a real person to him, but in saving the lives of children is also provided concrete evidence that there is a good strong and unexpected forms, as well as evil does.

Despite the obvious maturation Scout in Chapter 31, the novel ends with her asleep as Atticus reads it. The persistent image of your child as the child is Atticus equipment, while she has grown quite a bit during the novel, she is even still eight years. Like her ham costume, a symbol of silly and carefree nature of childhood, does Bob Ewell knife hurt her, so early intervention Boo, another part of his childhood Scout is celkový thwart intervention in her life často hate-filled adult world as Ewell. Interestingly, the book contains adult Scout Back to the narrative closure, and Lee offers the reader no details on the future of the Scout is in addition to never see Boo again. Before a Scout leaves the reader with a strong sense of cautious optimism, confirming the existence of evil is the belief in the essential goodness of humanity.